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    • An Introduction to English Poetry, by James Fenton
    • Jerry Springer: The Opera
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  • Literary Criticism
    • Science as Writing, Writing as Science: Addressing the Boundaries of Literary Criticism and Fiction
    • What Difference Does Difference Make: The Creative Deconstructions of Jean Rhys and Aimé Césaire
    • Online Text Databases and the Literary Canon
    • Relativity and the Social Good: Jekyll and Hyde, The Voyage Out and Memoirs of a Survivor.
    • The Language of Time in The Secret Agent
    • Heart of Darkness and Victorian Anthropology
    • The significance of the narrator in Moby-Dick
    • Pioneer Opportunities in Cather and Faulkner
    • Titus Andronicus is about "how we make entertainment out of violence": A discussion of Julie Taymor's claim
    • The Visual Poetry of Filmed Shakespeare
    • What Lies Within: Parentheses and Ambiguity in Poetry of the Twentieth Century
    • The Representation of Memory in Time's Arrow and Shame
    • Pandarus, the Narrator and the Author in Chaucer's Troilus and Criseyde
  • Travel Writing
    • Accelerating Away: Prague
    • A Tale of Two Towns: Krakow
    • A Tale of Two Towns: Bratislava
    • The Left-Behinds: Hungary
    • Into Asia: Turkey, Part One
    • Into Asia: Turkey, Part Two

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